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New Writing
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Latest
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CW50 Latest
Crime Fiction
In Dark Water
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Lynne McEwan
The Year Of The Gun
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HB Lyle
Waking the Tiger
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Mark Wightman
Holloway
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Lucy Wood
Personal Liar
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Lissa Pelzer
Non-Fiction
I kiss your hand
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Frances Lord
Sad Little Men
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Richard Beard
The Difficult Father
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Megan Dunn
Two Hitlers and a Marilyn
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Adam Andrusier
Pringle and a Free Press
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Matthew Blackman
Features
2021 Translation MA anthology: foreword
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Olivia Hellewell
2021 Poetry MA anthology: foreword
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Bhanu Kapil
2021 Prose Fiction MA anthology: foreword
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Ayòbámi Adébáyò
Why I Write
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Ashley Hickson-Lovence
The Stowaway’s Tale, as told to Amy Sackville
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Refugee Tales
Poetry
Three poems
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Amna Alamir
Four poems
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Al Anderson
The Live Album
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Kat Payne Ware
Intentionality
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Graham Clifford
Wife of Osiris
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Meryl Pugh
Fiction
No Ghosts
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Max Lury
Somebody Loves You
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Mona Arshi
Shadow Town
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Richard Lambert
Circles a Clover
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Michael Egan
Gigantic
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Ashley Stokes
News
Yan Ge runner-up for the Warwick Prize for Women in Translation
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editor
Leeor Ohayon shortlisted for V.S. Pritchett Short Story Prize
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editor
Iron Man by Lynne Bryan
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editor
The Macanese Pro-Wrestler’s Cookbook by Barrie Sherwood
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editor
The Love Makers by Aifric Campbell
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editor
CW50
Creative Writing and the Democratisation of Literary Access
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Andrew Cowan
The Curse of the Screenwriting Guru
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John Yorke
Writing in a Time of Peril
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Carolyn Forché
Future & Form at the Norfolk & Norwich Festival
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editor
Futures for Creative Writing online conference
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editor
Scriptwriting
A Life in 16 Films
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Steve Waters
Annie Krasner, Acid Queen of the Black Circle
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Finn Avison
Fright at Fresh Start Forest!
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Ben Jones
Taghreeb
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Ashwaq Al Lawati
Rat
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Ade Slack
Translation
Foindin’ oi voiz (Finding my Voice)
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Josephine Murray
Shocked Earth
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Saskia Goldschmidt
Paper Carpets
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Ruth Chester
Hasta luego; Exits the Stage
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William Gregory
The Fair Frontier (extract)
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Erin Maniatopolou
